Magazine front cover

After researching many different front covers of magazines which feature an article on a crime drama, I have come to realise that the more conventional front image for a magazine consists of a two shot of two of the characters faces. It is used to portray the rivalry between the main characters in the program.

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Research commences

I have started researching documentary codes and conventions, and have also began looking into documentaries that are based around stigmatised subjects such as rape and suicide. This is going to help me start to plan out what my sequence will entail and what kind of content I will include to make the potential audience intrigued, but not too upset/distressed with too much difficult content as it is such a sensitive topic.

Aims and intentions first draft (unfinished)

After intensely researching the crime drama genre including its codes and conventions and its generic editing schemes, I feel a lot more competent in creating a crime drama of my own. Very generic conventions that I have implemented into my production include corruption, a senior cop with personal troubles and a Rookie cop. As well as this I have used a lot of narrative theory to help shape my characters in the production. The main being Propp’s character functions theory. Each of the characters in my production serve one or more of the named functions, for example Thomas Skinner takes on the role of the ‘False hero’ as well as the ‘helper’. I have also deeply analysed camera work through textual analysis of similar productions to mine such as David Fincher’s ‘Seven’ (1995) and the popular BBC crime drama ‘Happy Valley’. In Seven, during the scenes with the two detectives and the criminal Jon Doh, lots of close ups of faces are used to create and aesthetic and gripping tension ...

Character Profile: Thomas Skinner

Basic character profile Name: Thomas Skinner Social class: Upper class Description: Murphy’s new partner who is the actual murderer of Murphy’s ex-partner. He paid the ‘criminal’ Josh Jenkinson to take the fall for the crime. He too is very personally involved in the case as he murdered the victim. When Jenkinson can take the torture from Murphy no more he lets out that it is in fact Skinner who is the murderer. Skinner of course denies this and manipulates the emotional Murphy into killing him. Characteristics in the scene: Sly, charismatic, quiet, secondary, nervous, persuasive

Cross media production log

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